An End to Dreaming

An End to Dreaming – Emma Dean and Jake Diefenbach by Jane Durbridge

The  intimate and plush La Boheme is the perfect setting for the entrance of this cloaked and hooded pair.  Hidden from view and with a countertenor singing voice, Jake’s sexuality could be ambiguous, (apart from protruding man arms and an obviously male name!), but there is no doubting his musical ability.

The scenes are set in 5 stages, each set comprising 2 well crafted songs to lead you through The Darkness (hooded), The Awareness (Emma is now blond, and matching her Aryan brother-from-another-mother Jake), The Reckoning, The Healing, and finishing with The Light.

We’re taken on a twisted Hansel & Gretel tale into a mesmerizing dark place, each song filled with discord and a mix of strong emotions until we’re walked out of their darkness to a safer place.

Jake and Emma work effortlessly together, complimenting each other with their harmonies and styles.  It’s an awkward pas de deux within the confines of a small stage filled with a large keyboard and piano, but they move between their stations quietly and affectionately – supporting each other through the forest of life.

Their dream like state ends with such rousing applause that the pair demurely provide an encore – almost as though they’re surprised we’re in the room.  They seem a bit abashed at their ability to move the audience to such support, but it’s all very well deserved.

We’re charmed by their tale.

On tonight until Sunday….

Ps Bit thrilled to have my first review for this Adelaide Fringe Sammy J sitting next to me too (ok – at the next table) at my last review for this Festival….my circle of reviewing!

City Farm

City Farm is a fantastic little play about issues close to my heart, stewardship of the environment and how our actions today will influence our future. Set in a future with cities so polluted you can’t breathe the air, City Farm tells the tale of Jed, the city boy who finds himself moving to the country after he wins a farm.

Jed soon discovers that farming isn’t all about sitting under a tree (Mel the Melaleuca), but actual hard work. Between the sheep, the cows, the sowing and the harvesting Jed finds himself opting for the easier technological fix, technologies that come with problems of their own.

This play humorously and effectively sets out its message, despite being targeted at a younger audience, parents, teachers and other adult-types are well catered for. My friend and I were laughing more often than our younger fellow audience members. Jesse Butler as the computer and guitar-playing cow is particularly funny.

City Farm effectively engages not only the young but the old as well. Locally written and produced City Farm has humour, an important message and appealing characters. Complex issues are dealt with deftly, if somewhat simply, but it suits a young audience. I also like that there was an environmental scientist on hand to answer questions the audience might have after the show.

Perfect for school groups and families City Farm is a charming and entertaining show. If you have the time this weekend, take the kids and make a family outing of it.

Faraday’s Candle

Candles, how do you use them? To light a romantic dinner or tryst? To see during a black out? On a birthday cake? How often do you think about how these ubiquitous objects work? Michael Faraday, one of the great experimental scientists of his day, did, and thoroughly.

In 1860 as part of the annual Christmas Lectures for Children held by the Royal Institute of Great Britain, Faraday gave a series of six lectures entitled ‘The Chemical History of the Candle.’ It is these lectures that form the basis for the Fringe Show, Faraday’s Candle at RiAus in Australia.

Simple in its staging, Faraday’s Candle more or less takes the first lecture, adds a few modern touches and delights the audience with the same experiments and demonstrations Faraday used over 150 years ago.  Despite the original lectures being aimed at children, when remodelled for the modern audience they have lost little of their original fascination. The mostly adult audience thoroughly enjoyed the demonstrations provided by Bernard Caleo as Michael Faraday.

Personally, while I found the presentation of the lectures interesting, the actual chemistry and science behind the lectures were nothing new to me and as a result I got a little distracted with the simplicity of it all. But the rest of the audience did not share my feelings, at the end, all I heard was talk of how fascinating they found the whole show and how they would never look at a candle in the same light again.

Undoubtedly if you already know the science, greater familiarity with the original lectures would have added an extra layer to Faraday’s Candle giving you more to examine and consider throughout the performance.

There is a lovely symmetry to Faraday’s Candle, given it is based on lectures presented over 150 years ago in the mother organisation to RiAus. If it is brought back to Adelaide it really ought to always be performed in this venue, considering the history of the lectures there is no better place for it.

Wrongtown: Homicide and Homecooking

Wrongtown: Homicide and Homecooking.  by Jane Durbridge

I’ve heard many things, but there were a couple of ‘Whoa’ moments in the opening song of Homicide and Home Cooking…moments where I felt a  little embarrassed to have invited someone to come along, but relieved they were a someone who was laughing!

It’s almost as though if you smile in that song, the worst has been said and you can warily relax.  If you’re shocked you should probably scull your drink and get out of (wrong) town.

Rose and Claire are quick and sassy, and their harmonizing vocals are indeed golden, often belying their brassy lyrics.

In the sumptuous ‘La Boheme’ the show starts with a series of comedy scenarios revealing the seedier side of life.   While the songs depicting Adelaide showed they’d done their homework, the Geelong gags didn’t translate as strongly.  Perhaps Geelong’s reputation isn’t as maligned over the border?

Regardless, we are enthralled by the team, and lighting issues not withstanding, await each set change eagerly.

Their comedic digs seem to have no boundaries, slowly making their way through Adelaide’s “City of Corpses”  murders like the murky Torrens, before moving onto international superstars and burlesque.

The burlesque highlight for me was the raunchy version of “In These Shoes” performed brilliantly by Claire in a pair of….I won’t spoil the punchline.

The burlesque continues as they cook up a very special therapeutic treat, and some braver audience members feel safe enough to receive a taste as reward for successful participation.

This was a thoroughly entertaining show with outstanding vocals, but take note, it does have offensive lyrics and plastic nudity…you have been warned.

At the Movies with Peaches ‘n’ Gin Burlesque

By Andrea Taylor

The first time I saw a Peaches ‘n’ Gin show they were performing in a small room at Cushdy – now they are performing sold-out shows at Nexus Cabaret, a much larger, and more fitting, venue for their talents.

Their latest show, Peaches ‘n’ Gin At the Movies, showcases a series of movie-themed acts that take on a variety of films including the classic Gentlemen Prefer Blondes, the action packed True Lies and the magic filled Harry Potter franchise. Hosts Rohan Watts and Cara Louise, a Margaret and David like presence at their table to the side of the stage, introduce each new movie scene and rating the offerings out of a possible 5 tassels. Cara is not just host and her musical medley, accompanied by David Salter was lovely.

As with other burlesque shows I’ve been to it took the crowd a little while to warm to the idea of cheering and clapping during the performances but once they did their cheers seemed likely to drown out the accompanying tracks.

One of my favourite things about Peaches ‘n’ Gin shows is the way they incorporate comic elements into the burlesque acts, and don’t just leave them for the jokes cracked by the hosts in between. And they don’t just elicit a giggle here or there but often complete laugh out loud moments! However, there were darker moments as one of The Strawberry Siren’s acts, inspired by Secretary, provides a nice contrast.

As difficult as it is to choose a favourite act, a highlight for me was the Harry Potter scene starring Luna Eclipse as Harry Potter and Sapphire Snow as Draco Malfoy, who always complement each other beautifully. I won’t say much but I think I read a fanfic like that once…