The punters and the press were packed into the ground floor of the Promethean for the second-ever Gala Opening of the Adelaide Cabaret Fringe Festival on Wednesday night, while the VIPs enjoyed the show from upstairs. I spotted Frank Ford (who founded the Adelaide Fringe Festival and the Adelaide Cabaret Festival) as well as outgoing Artistic Director of the Adelaide Cabaret Festival, David Campbell.

Paul Boylen, Co-Founder of the Adelaide Cabaret Fringe Festival
Paul Boylen, one of the founders of the Adelaide Cabaret Fringe Festival and co-owner of La Boheme, welcomed us all and opened the evening with a short speech outlining the history of the Festival to date. He then introduced the “Hostess With The Mostess” Sidonie Henbest, who showcased some of the best acts coming up over the next month. I’ve seen Henbest perform better at monthly open mic nights, Cabaret Live!, at La Boheme. Her hosting skills were put to the test last night, and to be honest, I expected smoother segues to cover all from sequined dancers to foxy fellas to incomprehensible clowns.
First to take the stage was the camera-shy Cherry Valens, part of the duo who form A Wink And A Smile Burlesque. Valens appeared uncomfortable on stage in front of the large crowd and danced somewhat awkwardly. Lucky her costume was a great distraction: a red velvet corset dressed with sequins and beads. The illusion created of a birdcage forming about her upper body was charming. Valens was followed by the foxy Charles Sanders, who will bring back his solo Adelaide Fringe show this June to Higher Ground.

Crooner Charles Sanders
Sanders started on a nervous note, but soon found his comfort zone. He belted out a fantastic Freddie Mercury medley and finished up with a Jackson Browne number. If this performance is anything to go by, you can’t afford to miss his solo show A Modest Exhibit.
Before breaking for a 20-minute intermission, the “First Lady of Cabaret in Adelaide”, Catherine Campbell wooed the audience with her renditions of Falling In Love Again and In These Shoes. Radiant as ever, she brought some much needed comic relief to the stage.

Catherine Campbell On Melodica
During the intermission, Fred Fudara played a selection of signature of French and Brazilian tunes, taken from his upcoming shows at Saldechin and La Boheme.

Fred Fudara Serenading
Schmoo, a clown of a character, opened the second half of the program. Schmoo speaks his own language of sighs and exclamations, which at times can be confusing to the punter. Nevertheless, the crowd seemed entertained by his on-stage antics.

Schmoo Playing With The "Radio"
Established jazz singer Libby O’Donovan then took the Promethean by storm. Her powerhouse vocals, coupled with genuine emotion and her own original songs, set a new bar of excellence for the Adelaide Cabaret Fringe Festival. In her song, “I Miss You”, there was an opportunity for pianist Chris Martin to shine for a minute or so at the Gala. (Martin was in the shadows for most of the evening as he accompanied each of the singers.)

Libby O'Donovan Hamming It Up
Following that ball-buster of a lady was the somewhat subdued Tara Carragher, perhaps better defined as the female embodiment of Bob Dylan. Carragher embraced her differences on stage, made light of her plainness, and all in all, gave a strong performance. Her voice really struck a chord with the audience, they were eager to hear more. Alas, she finished her set of four covers all too soon.

Tara Carragher Knockin' On Heaven's Door
As a special treat for the gentlemen attending the Gala, Miss Luna Eclipse of burlesque outfit Peaches ‘N’ Gin then strode to the stage. She exuded cheeky confidence, responded best to the wolf whistling by removing her garments one by one, revealing a trim figure.

The Tantalising Miss Luna Eclipse
To round out the evening, the audience was treated to a Cabaret Live! meets Lotto Draw. All the artists from the evening placed their names in Paul Boylon’s top hat, from which four names were drawn to perform an impromptu finale. The “lucky” ones were Schmoo, Henbest, O’Donovan and Campbell – who ended up performing a fantastic rendition of Kander & Ebb’s Cabaret.
“What good is sitting alone in your room?
Come hear the music play.
Life is a Cabaret, old chum,
Come to the Cabaret!”

Cabaret CanCan
The Adelaide Cabaret Fringe Festival is on now until the end of the month.
All images appear courtesy of Event Photography Adelaide.