Slapdash Galaxy

By Andrea Taylor

Not being particularly familiar with shadow puppet shows in general, or Jeff Achtem’s work at all, I wasn’t entirely sure what to expect of Slapdash Galaxy. And if I’d been expecting anything, it probably wouldn’t have been a tall tartan skirt clad man with mutton chops, wielding shadow puppets made from fabric offcuts, household objects and various pieces of rubbish. I was definitely pleasantly surprised.

The plot wasn’t entirely comprehensible and was difficult to follow at times just as Achtem’s movement around the venue required some neck-turning and twisting in one’s seat. There were a few moments when I wasn’t sure that the show would tie together but, overall, the result was something that was absurd and delightful and decidedly slapdash, in an endearing way, as the title of the show suggests.

Hiding how everything works is clearly not Achtem’s aim as we see him haphazardly bumbling about the stage whilst preparing and setting things up for the next part of his show. At times we even see Achtem himself using the puppets.

I was impressed by the giant smoke-ring trick – I may have even let out an ‘ooh!’ – and enjoyed the smoke-filled bubbles, too (I can be easily entertained and blowing bubbles is certainly one way to grab my attention!)

Achtem’s charming, awkward character fills most of the downtime with amusing muttering and creates a fun atmosphere that encourages childlike wonder. Most of the audience in the session I attended seemed entertained and, whilst I don’t think this show would work for everyone, it certainly worked for me.

Eds Note – How can you not love bubbles? Andrea isn’t the only one easily distracted by bubbles .

Abandoman

I was already in a good mood before I saw this show: apparently reviewing makes you ‘part of the Fringe’ which in turn results in a 50% discount at the popcorn stand in the Garden. ($2 popcorn: try matching that Event Cinemas!) Another thrill the commercial cinemas can’t hope to replicate is the adrenalin rush one gets from seeing an awesome off-the-cuff live performance, which is exactly what Abandoman provided on Tuesday night.

Abandoman: Irish rapping superhero!

Abandoman is a one-(Irish!)man, one keytar sort of show that relies heavily on the performer’s charisma and connection with the audience to work. The night I saw him, he used this connection extremely well, drawing audience members out of their seats and out of their comfort zones. Things certainly got personal, and all the better for it. After some coaxing, various audience members confessed their most pedantic pet hates, which provided ammunition for some impressive free-styling. Anyone who can smash rhymes about the annoyance of a vacuum cleaner turned off at the power point, chocolate bars that are too thin (take note makers of Lindt chocolate: you need to beef up your blocks!) and the supreme disgust of patting a cat only to be given the ‘brown eye’, well that sort of talent is just flat-out impressive.

To be honest I had a heads-up about the show, which is probably best described as a hip hop stand-up comedy mash-up. This prior knowledge didn’t ruin my experience of the show, but rather enhanced it, so I’ve decided to share this with you: bring a random item to the show. I brought a Sammy Davis Jnr. cassette tape I found whilst rummaging around my car floor. Take anything that might prove to be lyrically inspirational *wink, wink*.

So don’t be shy, prepare to share and get along to this show!

Abandoman is playing at The Campanile in the Garden Of Unearthly Delights until Sunday 4 March. Book your tickets here.

The Table

The Table, the simplest way to describe this show is four men using a table to make music, but it is so much more than that. The “Table” while it looks innocuous enough is in fact a finely tuned instrument on which a single caress, tap or bump creates a clear note or sound effect. Hidden whistles, didgeridoos and strings complement the percussion elements of swiping, thumping and hitting, resulting in a sound that an orchestra could have difficulty replicating.

Using this multifaceted instrument the four men, seated at the four points of the compass, create complex and varied music ranging from hard rock, through to gypsyesque tunes and Tibetan prayer songs.

The versatility of the table, let alone the performers is astounding. Regardless of whether or not you have a musical background you will be simply amazed by what is created by these four men on their table.

What is created is not just music, but humour, cheek and passion. This show reminded me of the Playschool segments where the hosts would create musical instruments out of ordinary objects. It reminded me that it is possible to create music anywhere, out of anything, all it needs is a little imagination.

This show is a must see, for those who have studied music it will be fascinating journey of technical prowess and creativity. For those without a musical background it will be almost like magic, sounds created out of a simple structure. At times it was just as interesting to watch the expressions of pure amazement on my fellow audience members’ faces. Regardless of your background, this performance is truly astounding.

For the full effect of this show, sit as close as possible to the front so make sure you line up early.

The Table is playing in the Garden of  Unearthly Delights until March 10.

Mangina

Amanda Monroe has a story to tell about her life and (several times over) near deaths – and it’s a wonderful  story to hear.

The Spare Room is a perfect small venue for a very intimate show, and it allows us a very up close and personal experience with Amanda.

We share the tragedy of a life lived with another gender trying to break free, but the circumstances and prejudices of the time dictate an easier road through lying.

Amanda tries to become the boy her parents expect her to be – sporty, academic – an achiever – while secretly lusting after a wear of the beautiful white dress that she saw as a 3 year old.

The Spare Room on the Garden of Unearthly DelightsLiving the lie is a road filling with ways to push the girl away – work, alcohol, drugs, food, until the petrifying moment of acceptance of how she needs to live her life to be happy.

Thankfully with understanding mentors, and drugs of a more positive nature, she’s with us today to share her story with humour and warmth, and it was well worth the wait.

PS Note: while the Spare Room is very cute, the chairs are a challenge – cushion headsup.

Mangina is at The Garden of Unearthly Delight until the 18 March

Eds note: Amanda Monroe was in the 2011 Adelaide Fringe in the show Drags Aloud.

Sammy J & Randy in the The Inheritance.

Warming up slowly with an introduction as Randy the portrait painter and Sammy J the model (& where I realise this isn’t a show that includes a man with his arm up a puppet…but 2 people!), it’s the next scene that reveals why this pair are absolute comedy winners.

As they lay bare their unachieved goals and aspirations in life though the census form, with a quick witted musical number thrown in to boot, we’re about to start on an glorious adventure into an Inheritance claim in England.   From the joys of a sub woofer to the inheritance song, the pair show us their skills as both musicians and comedians, and the combination absolutely works.

The many scene changes, introduction of new characters, intriguing shadow puppet play and the ability to cope (and weave into the show) outside Garden of Unearthly Delight disturbances,  shows us their ability to cope with an improv opportunity.

This is a very funny and clever show – made all the more personal with the odd awkward costume change or prop fail which they cover with comedic ease.

It’s original and unique…& well worth a ticket, espeically if you don’t expect a man and a puppet to be funny!

The Garden of Unearthly Delights – Umbrella Revolution until the 18 March.