Comic Mummy, Jenny Wynter

Jenny Wynter is the down-to-earth Comic Mummy from Brisbane, QLD. She will be travelling down to our dear city of Adelaide with her ‘Unexpected’ Variety Show next week as a part of the Adelaide Cabaret Fringe Festival. The show runs a short season at Tuxedo Cat from 23 June to 25 June.

Before you read Wynter’s witty responses below to our “hard” questions here at Adelaide ArtBeat, see how her rehearsals are going in anticipation of the show…

RC: How did you first get into stand-up comedy?

JW: Ever since I can remember I wanted to be an actor, and looking back now – though it wasn’t something I intentionally pursued – I can see that I was always cast in the comedic role. Then when I became a mother relatively early in life (at least in terms of what I had planned to happen!), I thought performing was over for the time being and found that ridiculously hard to deal with.

Then one day I saw a sign up for a stand-up comedy competition and without thinking, I just rang up and registered. I didn’t have the faintest idea what material I would say, I didn’t have anything! But I knew that a deadline would force me to come up with something! At that point it really wasn’t anything serious, it was more just a way for me to feel better about having a guaranteed night out of the house doing something that had nothing to do with being a mum. It was only as it started to snowball that I realised I’d kinda accidentally stumbled into a comedy career.

RC: Tell us about your first stand-up gig…

JW: Well, it was at the Triple J Raw Comedy Competition, which I think was a brilliant start as the audience there knows it’s all newbies and they were very supportive. That said I was still completely terrified!

I took a guitar up onstage with me, reasoning that even if people didn’t laugh at me, if I played music they’d at least listen! It was a bit of a psychological crutch: I’d never ever played guitar in public before, in fact I had no idea how to even plug the damn thing in. When the sound guy realised this he gave me a look that said “Oooooh boy you tragic little lady!” But to my surprise it went quite well. And when you’re bitten by the high that is ‘strangers laughing at/with me!’, it bites you hard.

It’s funny to me now though, thinking that I only did a song to start with because I was so scared – nowadays, musical comedy is the main focus of what I do!

Jenny Wynter in The Unexpected Variety Show

RC: Where do you find the inspiration for your jokes and stories?

JW: Like that famous Wet, Wet, Wet song says, “It’s all around.” “I feel it in my fingers.” “I feel it in my toes…” I’ll stop now. But yes, it’s really just drawn from anything in life.

There’s a saying that goes “bad for life, good for comedy” and I think that’s definitely true. Sometimes now even when something terrible is happening, there is a small part of me inside that is busily taking notes, going “this will be great material some day…” I don’t know if that’s very healthy or not!

RC: Will you be talking about the “chocolate tip” or The Dodgy Homemakers Guide to Fudging It in your upcoming show, The Unexpected Variety Show? What can Adelaide expect?

JW: Haha! I’m impressed you’ve read my blog, even my hubby refuses to!

This show is very, very different from anything I’ve gone before – it really is a one-person variety show (it goes way beyond my normal stand-up and features musical, character, improv comedy and storytelling) that delves into the unexpected segments of life.

It’s a real first for me in that it’s by far the most deeply personal material I’ve ever done. I think it’s quite different than my traditional stand-up, which really just aims to make people laugh. In this show, people who’ve seen it have laughed, cried, come to see the show twice and often come up and hugged me afterwards in the foyer. Which I welcome. I love affection that doesn’t involve snot on my shoulder.

But yes, if you see my stand-up, you might laugh at me, if you see this show, you might laugh, but you’ll also get to know me. I make no claims as to whether this is an actual good thing.

Comic Mummy, Jenny Wynter

RC: Why have you chosen to come down and perform at the Adelaide for the Cabaret Fringe Festival?

JW: I first heard about the Cabaret Fringe Festival from a lovely comedian friend of mine, Liz Skitch (of “Skitchtease” fame.) We performed together earlier this year at “Titters” in the Adelaide Fringe and had the most incredible time and for me personally, this was a hugely significant turning point. Namely because 2010 had been a spectacularly awful year – I was wiped out in a head on collision weeks before my show was to make its Aussie debut and found myself sidelined from performing altogether for months.

So performing in Adelaide earlier this year felt in many ways like my stage re-entry. I couldn’t believe how beautiful the audiences were and how much they were open and connected with my stuff, so on the back of that tremendously special experience, I absolutely leapt upon the opportunity to come back here to mark the Aussie debut of my show, much like a rabid dog jumps on rabid dog stuff. Doing it in Adelaide just seemed kinda perfect. And unexpected. How poetic is that?!

Hypnotise Me, Isaac Lomman!

Yesterday, I had the opportunity to catch up with Adelaide-based hypnotist Isaac Lomman ahead of his show Comedy Hypnosis on next week at Higher Ground. Over an H2 Zoom and hot chocolates at Cocolat in Rundle Street, we chatted about Lomman’s enthusiasm for the art of hypnosis, his modest beginnings and finally, some tips for those who would like to be selected to be placed under hypnosis.

Click ‘play’ below to hear from the hypnotist himself, Isaac Lomman.


Hypnotist Isaac Lomman

After the interview, Lomman demonstrated his skills as a mentalist, and no joke, plucked the thought of a specific playing card from my mind! Lomman asked me to pick a card at random from a normal deck of 52 cards, after splitting the deck, then to place said card back in the pile, and shuffle the deck thoroughly. Without me saying a thing, and putting on my best poker face, Lomman was then able to identify my chosen card – the ace of clubs! I know this is a trick, I know he is not a psychic as such, but I am still baffled – how did he do it?

Comedy Hypnosis is on at Higher Ground from Thursday 16 June until Saturday 18 June as a part of the 2011 Adelaide Cabaret Fringe Festival.

Early Worx: Where The Emerging Meet The Experienced

It was indeed a great pleasure to track down the amiable Charles Sanders, the Artistic Director for Early Worx for a casual chat. Early Worx is a theatre company for emerging performance artists, currently based at Higher Ground in Light Square.

The following took place over a couple of lattes in the cafe at Higher Ground, we conversed about Sander’s beginnings, Early Worx, the significant role that venues like Higher Ground and festivals like the Adelaide Cabaret Fringe Festival play in the development of the next generation of performers as well as his, shall we say slight, obsession with Freddie Mercury

Click ‘play’ below to hear from the talented all-rounder, Charles Sanders.


Sanders Performing at the CabFringe Showcase 'Elevate' at Higher Ground - Image Courtesy of Kryztoff Magazine

Early Worx will be presenting Sander’s solo show, A Modest Exhibit, during the Adelaide Cabaret Fringe Festival at Higher Ground from 17 June – 25 June. Adelaide ArtBeat will be relishing the opportunity to review this show on opening night…

Emma Dean – Stripped Down!

Pop-cabaret starlet Emma Dean was in Adelaide over the weekend for her only show, “Stripped”, during the 2011 Adelaide Cabaret Fringe Festival at Tuxedo Cat.  Today, I managed to catch up with the singer/songwriter over email to ask her a few questions…

RC: Who inspired you to take up dancing and music in your younger years?
ED: My father, Christopher was one of the founding members of a station called 4MBS Classic FM. Every Saturday morning, when I was about 3 or 4, he would go on air as one of the radio announcers and I’d listen intently at home and try to talk to him through the speakers. Of course, he never heard me (he he). But, being around music from such a young age sparked something deep within me. If I wasn’t playing music, I was dancing. I loved to move and to feel the rhythm of life flow through me. It’s such a natural and inherent thing for me.

RC: Tell us about your first-ever on-stage appearance…
ED: To be honest, I’m sure I was far too young to remember the very first time!! I started learning ballet at the age of 2 and began at a music school at the age of 3. I’d guess that I would have been amongst a large group of obnoxious yet stupidly cute toddlers playing the recorder (badly)…

RC: The last time you were in Adelaide, you performed as part of The Wheel of Frank Confession at the 2010 Adelaide Fringe. How does performing your solo show ‘Stripped’ compare to performing as part of quartet?
ED: When you are performing as part of a group, you tend to feel supported at all times (that is, if they are awesome like my group were!). When you are solo, it’s all up to you! So in that regard, it can be quite high pressure. Having said that, I love the musical freedom you have as a soloist. If I feel like drawing a phrase out…I will! If I accidentally skip a verse…that’s ok! ha ha. I’ve learnt so much about myself as a performer through “STRIPPED” and I feel I’m one step closer to achieving some of my performance goals. When you strip back to the bare essentials it’s either make or break. It’s my aim to be able to command a stage, even in stillness. I continue to work towards that.

Emma Dean's Latest Album

RC: You’ve just released your second album, Dr Dream and the Imaginary Pop Cabaret. What inspires you when writing songs?
ED: Everything and anything. This particular album is like a therapy session! Each song has it’s own personal story.

RC: On your most recent blog entry, I noticed that you’re ‘ [keeping] open to possibilities after “Cabaret” ‘. Where would you like to see yourself next – perhaps returning to ballet?
ED: Oh god no!!! My bum is too big (or so they tell me!). To tell you the truth, I was never much of a dancer! It breaks my heart to say that, but it’s true. I would love to continue some physical-theatre and actor training to keep “topping up” my performance skills. I feel that this has been an integral part of my development. I’d also like to tour overseas and take some time out to reflect and ponder before I launch in to any new projects or albums. It’s a bit exciting, really. I feel like I’ve got a creative volcano bubbling away inside of me. :)

A review of Dean’s show will be posted here on Adelaide ArtBeat shortly…