Kaberett has been designed to give up and coming cabaret artists – and more experienced artists who are trying out new ideas – the space to do so. Given the purpose of Kabarett, I will critique in (hopefully) a constructive way.
Performer 1 – Roslyn Lock
Lock is an opera singer and, it must be said, has a glorious voice. Her piece was a mixture of (slightly comic) narrative and song. It didn’t quite work, because it was much more narrative than song. The routine was a tad “try-hard” in terms of the gags and (shock horror!) swearing. There was an effort to engage the audience by a bit of a Q&A, but unfortunately seemed forced, and fell flat. To be frank, the story was neither interesting nor engaging, and needs some heavy editing and tightening up. Lock could work on the timing too, and perhaps include more songs and singing. Reading from notes did not aid in her delivery of her lines.
My advice to Lock would be: the narrative shouldn’t be the focus of your show. Let your beautiful singing voice speak for itself!
Performer 2 – James McLean
This was only McLean’s second show, and while the nerves were evident at times, he recovered professionally and with humourous aplomb. McLean’s routine was tight and funny; he was a delightful balance of comedian and crooner. He put a lot of effort into polishing his comedy, and it showed. It was intelligent and refreshing. No schoolboy humour from this young performer! The songs complemented his comedy and were chosen well. He has a pleasant voice, but nerves probably got in the way in the delivery of some notes, as he was a trifle pitchy in spots. In my opinion, McLean is one to watch…
My advice to McLean: give the audience more attention – they love you and want your attention! Do not shy away from making eye contact.
Performer 3 – Deborah Caddy
Caddy is also an opera singer, and her show was devoted to her love of and for Olivia Newton-John. In my opinion, she had just the right amount of narrative that took us on a journey as she discovered ONJ as a young girl. The songs were well chosen, and Caddy proved herself a confident performer. Such a glorious voice, perfectly suited to our Livvie’s songs. I enjoyed this performance so much that I wanted to get myself to the nearest karaoke bar and belt out Hopelessly Devoted to You.
My advice for Caddy: think about shortening the songs slightly. The audience just doesn’t need to hear the entire rendition to appreciate the journey you are taking them on.
Overall, it takes guts to perform and it doesn’t matter if it’s a new show or a new performer. I take my hat off to all of you and wish you luck and success with your artistic endeavours!
