City Farm

City Farm is a fantastic little play about issues close to my heart, stewardship of the environment and how our actions today will influence our future. Set in a future with cities so polluted you can’t breathe the air, City Farm tells the tale of Jed, the city boy who finds himself moving to the country after he wins a farm.

Jed soon discovers that farming isn’t all about sitting under a tree (Mel the Melaleuca), but actual hard work. Between the sheep, the cows, the sowing and the harvesting Jed finds himself opting for the easier technological fix, technologies that come with problems of their own.

This play humorously and effectively sets out its message, despite being targeted at a younger audience, parents, teachers and other adult-types are well catered for. My friend and I were laughing more often than our younger fellow audience members. Jesse Butler as the computer and guitar-playing cow is particularly funny.

City Farm effectively engages not only the young but the old as well. Locally written and produced City Farm has humour, an important message and appealing characters. Complex issues are dealt with deftly, if somewhat simply, but it suits a young audience. I also like that there was an environmental scientist on hand to answer questions the audience might have after the show.

Perfect for school groups and families City Farm is a charming and entertaining show. If you have the time this weekend, take the kids and make a family outing of it.

Faraday’s Candle

Candles, how do you use them? To light a romantic dinner or tryst? To see during a black out? On a birthday cake? How often do you think about how these ubiquitous objects work? Michael Faraday, one of the great experimental scientists of his day, did, and thoroughly.

In 1860 as part of the annual Christmas Lectures for Children held by the Royal Institute of Great Britain, Faraday gave a series of six lectures entitled ‘The Chemical History of the Candle.’ It is these lectures that form the basis for the Fringe Show, Faraday’s Candle at RiAus in Australia.

Simple in its staging, Faraday’s Candle more or less takes the first lecture, adds a few modern touches and delights the audience with the same experiments and demonstrations Faraday used over 150 years ago.  Despite the original lectures being aimed at children, when remodelled for the modern audience they have lost little of their original fascination. The mostly adult audience thoroughly enjoyed the demonstrations provided by Bernard Caleo as Michael Faraday.

Personally, while I found the presentation of the lectures interesting, the actual chemistry and science behind the lectures were nothing new to me and as a result I got a little distracted with the simplicity of it all. But the rest of the audience did not share my feelings, at the end, all I heard was talk of how fascinating they found the whole show and how they would never look at a candle in the same light again.

Undoubtedly if you already know the science, greater familiarity with the original lectures would have added an extra layer to Faraday’s Candle giving you more to examine and consider throughout the performance.

There is a lovely symmetry to Faraday’s Candle, given it is based on lectures presented over 150 years ago in the mother organisation to RiAus. If it is brought back to Adelaide it really ought to always be performed in this venue, considering the history of the lectures there is no better place for it.

Ad Nauseam

Nick BendallShe says “Honey you are everything” and he laughs on the inside. I laughed too. He talked about what would happen if he left her. That she’d be ”slashing herself with the bread knife until it’s blunt and [he couldn't] make [his] sandwiches“. I laughed. What does that say about me?

There’s a vixen in a red dress in a club and he’s cheating on his partner with her. If not with her, then certainly with someone else. Lies, deceit and drunken debauchery. This is one night out that you won’t forget in a hurry.

Ad Nauseam is gritty and raw. The male lead, Nick Bendall is sexy. He’s sexy in the way you’d want a man to be if you were going to have an affair and cheat on your husband. 50 minutes worth of intense monologue is delivered so smoothly. Like an espresso martini.

It made me think of the people that I’ve loved, that have loved me and the way that their lives continue, without me. It’s inconceivable. Incomprehensible. This performance illustrates perfectly how two lives that are so completely intertwined can painstakingly disconnect from each other and the explosive consequences.

Ad Nauseam has one show left, 9 pm, March 10 at the Queen’s Theatre.

You’d be mad to miss it.

Rhinoceros – Woe betide the last man standing

To say that 5Pound Theatre’s Rhinoceros merely breaks the fourth-wall would be an understatement. This Rhinoceros rounds up the audience and herds them, sheep-like, towards Ionesco’s increasingly claustrophobic though ultimately triumphant ending.

Whilst there is a stage, much of the action takes place amongst the audience, who are free to sit themselves at any of the scattered tables, chairs, and couches arranged in the space in a cabaret style set-up. This creates a sense of immediacy and heightened connection to our every-man Berenger (David John Watton) as he becomes more and more marginalised by the pachyderm masses.

And mass they do, as one by one the townspeople succumb to the call of the wild and turn into grunting, stampeding gas-masked animals. The transformation of Jean (Jason Cavanaugh) from respectable citizen into mindless creature is particularly well done and believable. His transformation, as indeed all of the transformations, could potentially be a difficult part of staging making them more impressive given this fact. The modernisation of the play is well-done, too, and not ham-fisted at all; the rhinoceroses all use Apple products – iPhones and MacBooks – as a nice little nod to conformity in a contemporary setting.

The acrobatic work incorporated into the rhinoceroses’ performance is also quite enjoyable. The space of the Queen’s Theatre One is utilised well for the acrobatic work, with the exposed beams of the Victorian structure having ropes tied to them for the ropework portions.

If you are overwhelmed by loud noises and the claustrophobic feeling of being surrounded by both the sound effects and the performance itself, then you should be warned that it can be an intense sensory experience.

By Kate Eldred

Love Child

I’m not one for local theatre, I really have no idea what it’s all about; but when you read that “...one of Adelaide’s ‘grand-dames’ Chrissie Page, and one of our brightest ‘bright-young-things’ Anna Cheeney…” performing in a play about femininity and love, you can’t help but be a little excited about what you’re about to see.

Love Child is the story of a mother and daughter: the daughter she gave up for adoption who wants to reconnect & the disconnected mother who wants to distance herself from what occurred. The stage works extremely well in the story telling too, the simple set up and lighting works well to show the distant and vacant lives that both characters seem to have lived up till this first meeting. You almost forget these two women are acting. Its like watching something in your own lounge room unfold.

The are moments of humour too, and little digs at disposable celebrity and the trash shown on television (Taxidrivettes; the series about female taxi drivers who are undercover sex therapists). [Pete Thought: "Cliche ridden morally bankrupt sedation" is a phrase I plan to use more in life.] The journey becomes turbulent about half way through, when each character realises that the other is no idea what they were expecting, and begin to battle each other with their words through the dark places in their minds. But they grow stronger against each other, matching each other every time until the final twist is revealed. It is a stunning conclusion to the show. I took the opportunity to observe the audience, and everyone was focused waiting to see how it would continue to unfold. Love Child is brilliant.

The performances are spectacular, the writing superb & the opening and closing monologues are perfection. Definitely one for your to-do list.